By Sharon L. Jones
African American writers of the Harlem Renaissance quite often fall into 3 aesthetic different types: the folks, which emphasizes oral traditions, African American English, rural settings, and characters from decrease socioeconomic degrees; the bourgeois, which privileges characters from center classification backgrounds; and the proletarian, which favors overt evaluations of oppression through contending that artwork will be an software of propaganda. reckoning on severe assumptions concerning what constitutes real African American literature, a few writers were valorized, others dismissed.
This rereading of the Harlem Renaissance supplies distinct awareness to Fauset, Hurston, and West. Jones argues that every one 3 aesthetics impression every one in their works, that they have got been traditionally mislabeled, and they proportion a force to problem racial, type, and gender oppression. The advent offers a close historic evaluate of the Harlem Renaissance and the existing aesthetics of the interval. person chapters learn the works of Hurston, West, and Fauset to illustrate how the people, bourgeois, and proletarian aesthetics determine into their writings. the quantity concludes via discussing the writers relating to modern African American girls authors.
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